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Ptghnavank-VI-VII c., Located in District of Abovyan, Village Ptghni...

 National Song
Kurdish Community of Abovyan city
Written by Astghik Karapetyan, Gohar Poghosyan   
Wednesday, 02 February 2005

ImageWe’ll drop a hint about the national minority who compose the full and equal inhabitants of Abovyan city and its regions – Kurd nation. We had a talk with one of the honorable citizen of Abovyan city Knyaz Hassanov who is the member of the national minority’s council attached to the Armenian government and the national assembly, also the head of Armenian’s Kurdish community since 1996. He was born and lives in Abovyan. He has excellently graduated from the institute of agriculture, the faculty of economy. Hassanov has great investment in the affirmation and development of Kurdish community. In 1976 he has been appointed the director of cinema-net of the Aboyvan (“Garni” cinema) and its regions.

 

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St. Stepanos’ Church of Abovyan
Contributed by Father Abraham,Lianna Galstyan   
Thursday, 18 March 2004

ImageImage

The exact year of the construction of the church is unknown because of the lack of historical data.

 

Considering that the grave stone of Priest Astvasatur is dated 1869 and found on the left side of the entrance, it can be supposed that the church was erect in  that year, but taking into consideration its geographical location, it has a longer history.

 

After the archaeological excavations in the south-western side of the church it was proved that the Elar-Darani castle belonging to the Urartu period and had once reached military economic heights, was located in that area.

Historical source ceased to be so rare in 1851 when the church underwent reconstruction and then in 1864 the belfry was built thanks to the donations of Simeon Aghamalyants.

Being situated on the cross–road of the Yerevan-Sevan and Yerevan-Garni roads the nearby buildings of the church served as refuge.

Now the church is functioning. It is the only church in Armenia called St. Stepanos.

 

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Gosoku- Ryu International Karate association
Written by Astghik Karapetyan, Gohar Poghosyan   
Friday, 15 October 2004

Image“If we keep all the sport-masters of the world for fighting in one room, the only person who can get out of that room surely will be Kubota”. This phrase belongs to Khose Phraguas, which has its own place in his book called” The masters of the Karate” (300 pages) and it had published in 2001.

 

69 years old Takajuki Kubota has deserved such honorary names as “Alive legend of karate”, “The overlord of inner and external power”,” The founder of Soke style” and he has 10 Dan quality. He regards as the founder of an effective and unique “Gosoku” style as well as the founder and the president of an International Karate Association (IKA). This is a simply preface for the ones who are interested in sport in order to get some idea what is generally this kind of Karate style and who is the founder.

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ACNIS Takes on the Challenges of Armenian Culture and Values
Written by The Armenian Center for National and International Studies (ACNIS)   
Wednesday, 04 August 2004

Go to the ACNIS main pageYerevan—The Armenian Center for National and International Studies (ACNIS) convened today a roundtable discussion on “The Challenges of Culture and Value System in Armenia.” As part of the forum, the Center released the results of its specialized opinion survey, entitled “Value and Ideology Benchmarks: Imperatives and Alternatives,” which involved more than 50 experts from Yerevan and across Armenia.

ACNIS director of administration Karapet Kalenchian greeted the invited guests and public participants with opening remarks. “These deliberations on culture, together with the expert survey preceding them, aim to present one focus group’s professional perceptions of ideology guideposts which are characteristic of a transitional period, as well as the true role and place of our system of values and patterns of cultural development,” he said.

 

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Song about stone
Written by Astghik Karapetyan, Gohar Poghosyan   
Tuesday, 20 July 2004

ImageImageStones has been the unseparatable part of the Armanians. They have erected centuries by stones, engraved their history that has passed. This is the Armenian’s typical image.

Song about stone” literary-musical matine´e which was devoted to the 90 anniversary of Hamo Sahyan was organized by the employees of the museum of Armenian-Russian people’s relationship and was held on July 16, at 1500. Hamo Sahyan has been and remains “the translator of stones” who has transferred the history of Armenian nation to us. He used to say” I wish I were sitting on the stone and telling about my life that passed”. Armenian genius have assigned the power and yearn of our mother-land and the wealth of our stony land. Every country knows that cross- stone is the symbol of Armenia.

 

“Wherever I look, I see stony mountains, stony trumpets, stony drums, stony-crosses and a range of stones”.

We have protected ourselves with stones

We have took shelter behind the rocks

We have built temples, churches, castles and fortresses, bridges and stony other building.

 

ImageThey are as fort as the will as the Armenians. The Armenian nation has been born in the stones, has played with stones, has built such stony building as Tatev, Noravanq, Echmiatsin etc.

And it is not contingent that more than 24 ancient obelisks of the world are in Armenia. And it is not accidental that they have been transformed with the shape of inscription left on the stones.

It is worthy to mention King Argishti who founded Erebuni in 782 a.d.

My dear reader you can tell with pride that Armenian stones are painted with 7 colors of rain-bow. Yes we are strong, we have tough, we are made of stones and we will exist from centuries to centuries wherever we are.  

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Vardavar:people splash water on each other
Written by Gayane Dallakyan   
Sunday, 18 July 2004

ImageDuring this lively pagan festivity in July, when the heat of the sun scorches vegetation, people splash water on each other. Water is thrown by the bucketful on anyone: no matter the age, gender, or public position.  Even submissive and quiet brides would throw water on their mothers-in-law!  Nobody is offended or angered by this: it is the accepted way to celebrate the ancient Armenian tradition of Vardavar. 

 

ImageThe word “vardavar” has two interpretations based on which of two pagan goddesses were worshipped: Astgheek or Anaheet. 

 

Astgheek (the Armenian equivalent of Greece’s Aphrodite) was the goddess of love and beauty.  Since “vard” means “rose” in Armenian, a correlation was made between this holiday and Astgheek. According to legend, her beloved Vahagn (another Armenian pagan god) was once injured in a struggle with evil. She rushed barefoot to his aid. On the way, she hurt her feet while treading over the roses and her blood turned them red. This is how red roses came into being: the flower of love was born. She had her temple, where young and old alike would go on pilgrimage to praise her, sing songs, and offer bouquets of flowers and other gifts.

 

On the other hand, Anaheet was the goddess of “purity, kindness, nurturing, temperance, fertility, wealth, and fullness”. She was identified with water, as a cleansing and purifying agent. In the ancient Hittite language "ooard" meant "water" and “ar” – “to wash”. These were related to Anaheet’s celebration.  

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Khachen Artsakhetsi
Written by Hasmik Kazaryan   
Wednesday, 07 July 2004

ImageKhachen Artsakhetsi was born in 1947 in Metsshen village of Martaket region. Upon graduating the local school he had tried to enter Drama Institute, but thanks to good luck he didn't, instead he succeded in entering the Art Academy after Terlemezian.

 

When an actor strives for a play with all his heart, only then the play would be on the theatre stage.  Here he plays on the painting stage, playing with people's emotions through landscapes, portraits and collages.

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